|
Written by SONray
|
|
Saturday, 06 October 2007 |
|
Well folks I'm not really a bass player. Sure I have an affinity for stringed instruments but to be clear, I'm not going to be standing in for Bootsy Collins anytime soon. That said, I STILL needed bass for the songwriting process so after I did some research THIS bass was the obvious choice.
The Variax is hands down the best solution for my project studio needs and I gotta say, its not only just a great sounding instrument but also a very playable one as well. I took delivery yesterday and immediately lost myself in bass-land where the groove is always in the pocket and the ones that aren't, (Just require a ton more takes) I won't say much more other than if you are looking for a great bass, I really cant recommend this bad boy strongly enough. See it in action here
|
|
Last Updated ( Saturday, 06 October 2007 )
|
|
|
Alesis Near Field Monitors |
|
|
|
|
Written by SONray
|
|
Tuesday, 09 January 2007 |
OK I admit it, I’m not as wild about these as the Mackie HR 824s If you can afford them BUY THEM! No questions asked you cant go wrong. But…..Building a project studio can get seriously expensive and while most audiophiles will agree that your near field monitors is where you have to NOT cut corners…sometimes your wallet doesn’t agree. In this predicament I give you the Alesis Prolinear 720 DSPs They cost a little more than half the cost of the Mackies and they are a pretty sweet near field solution. Knowing your room and understanding how to compensate a little is necessary as these don’t give you the truest reproduction of your recording but truth be told, they are pretty solid and clean. I think for the money they are better than the Event 20/20bas system and most people are of the opinion that Events are the poor mans Mackie…Well….excuse me but I beg to differ! Have Fun!
|
|
Last Updated ( Tuesday, 09 January 2007 )
|
|
|
Written by SONray
|
|
Monday, 08 January 2007 |
|
Focusrite is a UK based company that makes outstanding gear. I use the Focusrite Saffire as my dedicated audio firewire interface. It’s a pretty powerful little package with nice converters and some very use-able effects built into the software/hardware. These little desktop wonders are perfect for your project studio, they wont cost an arm and a leg and they deliver the goods. The front panel gives me knobs I can turn to adjust track volume in realtime and I can even see the faders and knobs move in the software when I’m tweaking externally on the front of the box. I think that this piece offers the most bang for the buck and recommend it to anyone.
|
|
Last Updated ( Tuesday, 09 January 2007 )
|
|
|
Written by SONray
|
|
Tuesday, 02 January 2007 |
Accept no substitutes. I have used one brand and guage (Medium) for 27 years...FENDER! It's the only pick you will ever need (also makes quite a bright glow when set on fire)...Don't ask how I know this, I just do. Oh and I have seen many a rocker girl fashion them into tacky, tasteless dangle-y earrings, but the best application for these little celluloid inventions to to strike a steel or bronze string with much passion!
|
|
Last Updated ( Tuesday, 02 January 2007 )
|
|
|
Written by SONray
|
|
Tuesday, 02 January 2007 |
|
AKG mics are known for quality. Sure you can re-finance your house in pursuit of the perfect vocal mic with pristine signal response or you can spend nominal money and get a great all around performer like THIS one. My fave mic (in my small humble collection) is this AKG C 3000 B. It’s a wonderful vocal mic, fairly quiet with little coloring of the signal. Not bad for acoustic instruments either. I mix in the digital realm so the only thing standing between capturing my true voice is the quality of the mic and the quality of the AD/DA converters (which are pretty good on the Focusrite audio interface I use…but that is a subject for another post) I also use it for room ambience when recording electric guitar. I like an SM 57 on the side of the speaker, one in the back (of my Ampeg All Tube Superjet) and THIS AKG placed 6 to 10 feet away picking up a more dispersed room sound. Blend all three signals with a little compression into one stereo track and even Mutt Lang would be proud of the fat electric guitar sound you can obtain…but I digress. So…you want radio quality? Then this mic isn’t for you but if you want “near” radio quality for your project studio? Have at it….the C 3000 B wont let you down!
|
|
Last Updated ( Tuesday, 02 January 2007 )
|
|
|
Written by SONray
|
|
Tuesday, 02 January 2007 |
|
As I have said already, Digitech is the pinnacle of smooth, cool, slick, bad ass, kickin, rockin, you name it. I LOVE their stuff! The GNX-3 (the 4’s are out now) is no exception. Mad Tone with an 8 track multitracker all controlled from your feet. Use this in conjuction with the Digitech Jam Man and you may just have an aneurism the possibilities are so endless ;-) This one box is all you need to gig with but doubles as your portable writing tool. Another great application is for use as a solo act. Love it…Recommend it…think it’s down right sexy. You will too!
|
|
Last Updated ( Tuesday, 02 January 2007 )
|
|
|
Written by SONray
|
|
Tuesday, 02 January 2007 |
It all started for me in 1991. I was on the road and my band broke up with no warning in Joplin Missouri. I came to Kansas City with one of my Band mates and stayed at their house for about a month while I looked for a new gig. That was the first time I met Jesus…it was also the first time I saw the incomparable Mr. Phil Keaggy live. Folks…let me tell you it was a night of mixed emotions for me. I wavered between inspired and depressed as I saw one of the generations masters do things with an acoustic that could only be described as virtuosic! Yep it was inspiring and humbling (VERY humbling) at the same time. Phil used a Jam Man back then (a rack mount dealy that was made by Lexicon…now sold to Digitech) So it was that day that I vowed I would become familiar with this type of live looping and now in 2007 I’m still not worthy to carry his guitar case ;-) Well…I may not have arrived but at least I’ve left. The Jam Man…BUY IT!
|
|
Last Updated ( Wednesday, 10 January 2007 )
|
|
|
Written by SONray
|
|
Tuesday, 02 January 2007 |
|
I’m a big fan of the POD stuff. I have been a die hard Digitech fan (and still am) for 2 decades but POD makes too solid an offering to ignore. The POD XT Live is a powerhouse of versatility. What ever tone you need to emulate it’s in here. It’s got a familiar user friendly interface with real knobs to tweak parameters. Outstanding!
|
|
Last Updated ( Wednesday, 10 January 2007 )
|
|
|
Written by SONray
|
|
Tuesday, 02 January 2007 |
|
Godin Guitars makes some of the most outstanding performance instruments anywhere! I LOVE my Multiac Steel Duet and cant imagine playing another instrument. These guitars offer quality, tone and yes they are not the cheapest but still much less than a high end Taylor or Martin. Check em out!
|
|
Last Updated ( Tuesday, 02 January 2007 )
|
|
|
My Audio Editor of Choice |
|
|
|
|
Written by SONray
|
|
Monday, 01 January 2007 |
|
I started with Cakewalk way back in 1999. Then it was considered a consumer package. This is NOT the case anymore. They have developed a seriously robust package for digital audio production as well as video scoring. Forget Protools and Cubase, this package is affordable and gets the job done! No not just compatible with Direct X plugins but VST as well. This audio editor is Da Bomb!
|
|
Last Updated ( Tuesday, 02 January 2007 )
|
|
|
Written by SONray
|
|
Saturday, 23 December 2006 |
Many have asked me about my recording habits and equipment. Eventually I will do a complete breakdown of the gear I use to record, for now here are some pictures. See The Pics!
|
|
Last Updated ( Tuesday, 02 January 2007 )
|
|
|